Reconstructing Harry’s early years has been a slow process though am beginning to get a sense of the man through my study. Initially, I learned of him through Albert Bonici’s nephew, John Ruggeri, who spent time around him growing up. He was a family friend of the Bonici family and near the same age as promoter Albert Bonici’s youngest sister, Rosanna. Rosanna was a teenager working at the Park Cafe when she met Harry, who was known as Henry whenever visiting Elgin. She remembers him writing a chapter a day of the stories he created for publication and described him as a good friend. He wasn’t full of himself and never boasted about his accomplishments though discussed some of the high points with her. As a music director in theatre, television, and film, Harry worked with many popular entertainers like Cliff Richard and The Shadows and The Beatles to musical stars Julie Andrews and Judy Garland [who he found difficult to work with]. https://scotbeat.wordpress.com/2015/10/13/hoots-mon-harry-robinson/
Henry’s mother who worked at the East end Post Office in Elgin, was supportive of Henry’s efforts growing up and he made a point of coming home to visit on a regular basis. He often stayed with Stanley and Rosanna in Elgin when he came to visit his mother and also spent time with the Bonici clan. He continued to return to Elgin for visits until her death in December, 1988 besides remaining friends with the Bonici family enjoying visits to his hometown away from the noteriety he gained working in London.
In the early 1950’s, entrepeneur Albert Bonici struck up a friendship with Henry who had left college because of a bout with TB. In 1952, both men were part of a local cricket team when they organize and promoted a charity dance with Ray Ellington’s Quartet in support of their team. As Henry was writing musicals beside playing piano, Albert began booking the young musician to perform at the Bonici family’s Park Cafe. They also provided refreshment and helped sponsor Henry when performed his musicals around the area. Young Henry had already played to appreciative audiences as a child when he taught himself the Warsaw Concerto [notes below] and the Park Cafe was an opportunity to perform for the crowds that would pack the small cafe to listen to new creations from Henry Robertson.
Henry became known for his musical accomplishments in London which included his time as musical director for British television with The Six Five Special and Oh Boy! [as band leader for Lord Rockingham II, before touring Australia with Tommy Steele. Known professionally as Harry Robinson, he was a musician, actor, band leader, musical director, composer, and producers who influenced popular music through his work in British television, film, and musicals in London’s West End. Robinson arranged and conducted the Lionel Bart musicals Fings Ain’t Wot They Used T’be ; Maggie May [1964)]; and served as Musical Supervisor and co-writer for Elvis!  Harry Robertson film scores: https://www.youtube.com/watch?v=lJVq8vI0z1U&list=PLz-cIm6otlQ2lOFHHJXT1vo0qEDSMaopM https://www.youtube.com/watch?v=isG3-rQqxZA&list=PLs3T-t417YhQsmBzy-QvI4d5HR8yLY5-f
Besides duties as musical director for Six- Five Special [BBC 1957], Oh Boy! [ITV 1958] Around The Beatles  https://www.youtube.com/watch?v=kZQTKeBQtto and Shindig! [1964-65], Harry Robinson is remembered for the 1958 British hit “Hoots Mon” when band leader for Lord Rockingham’s II. He is perhaps best known for his excellent scores for a few of the Hammer films [horror genre]. https://www.youtube.com/watch?v=WjvKSbFJGYkHarry Robinson was the son of Henry Robertson and Margaret Millar [Anderson] Robertson of Elgin, Morayshire in Scotland. Though learning basic piano at an early age, he wanted to become an archaeologist, studying the subject at university “before giving up his academic studies because of his poor health, and becoming a music teacher in London.” He started working occasionally as an arranger for Decca Records before becoming the musical director for Tommy Steele.
In 1959, after having several hit recordings with his band, Lord Rockingham’s 11 in 1958/59, Harry Robinson began recording with various artists such as Craig Douglas featured above. Craig Douglas, Tommy Steele, and several other popular British singers used Robinson to develop their recording careers. https://scotbeat.wordpress.com/2015/10/13/hoots-mon-harry-robinson/
Born in Elgin in Scotland on November 19th 1932 as Henry MacLeod Robertson, Harry took private piano lessons for a year from Fannie Baxter [see end of post] followed by “instruction in composition, harmony and counterpoint” from an English piano teacher/composer .
“It was a film that got me interested in music, I went to see DANGEROUS MOONLIGHT as a kid. The film I don’t think I can remember but I did take notice of the music which was THE WARSAW CONCERTO by Richard Addinsell. http://www.classicfm.com/composers/addinsell/music/warsaw-concerto/ The melody kept going around in my head; even after a few days I still kept hearing it. It virtually haunted me and I felt that I had to do something about it. I became determined that I would have piano lessons and learn how to play this music but I set myself a time limit of just 12 months. I don’t think I realised just how difficult that would be but I was young and I suppose a little bit naive. I pestered the life out of my Mother and finally she gave in and agreed to let me have piano lessons; I think because I was so enthusiastic I learnt very quickly and soon managed to play the Richard Addinsell piece. I even performed it in front of an audience and won a competition for my rendition of the music. I would have been contented with that but as time went on I began to discover other types of music and wanted to learn more. I pestered my Mother again, who found a music teacher who was English, but was living close to my home town of Elgin in the Highlands of Scotland. He was recovering from the illness tuberculosis and had been told that the air in Scotland would help his path back to fitness. He was actually a composer but had begun to teach to pay his way. I had instruction in composition, harmony and counterpoint from him. After finishing my lessons with him I became bored with music; probably one of the many phases that I went through and I decided that I would become an archaeologist.” Interview: http://www.runmovies.eu/harry-robinson/ https://jonman492000.wordpress.com/2013/05/27/harry-robinson/
Henry Robertson, was a teenager when Rossana Bonici met him whilst working in the Park Cafe in the late ’40s. She recalled Harry was using pseudonym Henry Macleod to write stories for publication and that he would finish a chapter per day.In the early ’50s as Harry was composing musicals, friend Albert Bonici invited him to play piano and perform musical numbers at the Park Cafe in Elgin. The two had first worked together when Albert with Harry’s help, organized a mini tour featuring the Ray Ellington Band. After spending time in London Soho’s 2 i’s Coffee Bar, Mr. Bonici expanded the cafe in 1956 to include a stage and which created a regular venue for Harry to hone his skills as musician and composer. He also used larger rooms like the High Church on South Street using local people in the productions. Below is opening credits of a musical comedy that a young Henry Robertson composed and directed:
Nineteen year old Henry Robertson was attending college in Aberdeen when he wrote, directed, and produced Magic in the Glen with Donald MacDonald though he wasn’t formerly trained in music. His college career was cut short when he had his first bout with TB and returned to live with his mother in Elgin after staying in a nearby TB clinic in Scotland. Harry attended the University of Aberdeen in the early 1950’s though left do to health problems. After treatment he gave piano lessons, wrote and composed musicals and worked as a journalist for a local Elgin newspaper, The Courier.
Ms Bakewell representing the University of Aberdeen answered my query about Henry Robertson’s education: “[Harry] was indeed a University of Aberdeen student in 1951-52. He was enrolled on the M.A. degree and took Latin, English Literature and Psychology. It then states on his student record that he had been admitted to hospital and that his fees were to be held over. The University never heard from him again.”
Musical producer Henry Robertson [aka Harry Robinson] worked with Elgin Dramatic Society and publicity was through “The Park Cafe” a branch of the PC Holding Company. The cafe was where Henry had opportunities to perform his plays and compositions in the ’50s before going to London.
Though he struggled with reoccurring health issues, Henry “Harry” moved to London where he made a name for himself with his many talents. “Don’t You Rock Me, Daddio” with string orchestra arrangement of Van Morrison’s skiffle hit was Harry Robinson’s first claim to fame before the UK number 1 “Hoots Mon! with Lord Rockingham’s 11. “I was stoney broke. They paid cash for the performers, but a check for the composer, and it was made out for Harry Robinson [instead of Henry Robertson]. So I rushed down to the bank and said, “There’s been a terrible mistake… I completely forgot to check with the Decca record company what they were doing. They put the record out and there was my name emblazoned as “Harry Robinson” [with singers Morris & Mitch – https://www.youtube.com/watch?v=EK5OqX9AisA%5D . It became a hit record and I was then known, so I stuck with it.’ From Hammer Film Scores and the Musical Avant-Garde. Note: Harry went on to arrange/direct dozens of songs and compose film scores besides his work as music director, band leader, and producer as listed at http://www.imdb.com/name/nm0731862/
Maybe Tomarrow [Billy Fury w/Harry Robinson] https://www.youtube.com/watch?v=Yu7uJqYygrA
After a career that spanned 30+ years in music and entertainment, Harry was honoured at the Royal Charity Premiere of his film, “Jane and the Lost City”  https://www.youtube.com/watch?v=ykiT7jP4yYI
They had four children:
- Myles Christopher David Robertson, 12th Baron Wharton+ b. 1 Oct 1964
- Hon. Patricia Lesley Robertson+2 b. 26 May 1966
- Hon. Christopher James Robertson+2 b. 24 Dec 1969
- Hon. Nicholas Charles Robertson2 b. 24 Dec 1969
Harry Robinson conducting Lord Rockingham II for Oh Boy! [ ITV 1958]‘Towards the beginning of his career, he created a string orchestra arrangement of Van Morrison’s skiffle hit ‘Don’t You Rock Me Daddio”. Decca put the record out crediting Henry as “Harry Robinson” plus a check with “Robinson” instead of Robertson. “It became a hit record, and I was then known, so I stuck with it.”‘ Quote from Henry Robertson from the book, “Hammer Film Scores and the Musical Avant-Garde”.
Earlier in 1958, Jack Good produced, “Oh Boy!” for BBC rival station ITV, and again employed “Harry” as musical director. The format of the program was to be strictly a music show which was new to British television. http://sixtiescity.net/PopTV/PopTV.shtm Among various duties, Harry Robinson also served as band leader and composed music for the newly formed Lord Rockingham’s XI. His tune, “Hoots Mon! [there’s a moose loose aboot the hoose] https://www.youtube.com/watch?v=Jeu72y0f4Kc became a his first chart hit at number one. Of course, fame never turned Henry’s head though he enjoyed an enduring career in music. Hoot Mon! Fried Onions https://www.youtube.com/watch?v=1O6p84lYw7s Hoots Mon! https://www.youtube.com/watch?v=eIekZvhyrsk
Harry Robertson Eurovision: http://www.andtheconductoris.eu/index.htm?http://www.eurovisionartists.nl/conductor/dir020.asp?ID=269
‘”In 1958, he entered the television industry and soon became a musical director for EMI and Decca Records. He was arranger for many British pop music TV specials, as well as for the SHINDIG series in America. He has worked as a composer, arranger, and conductor on numerous documentaries, children’s films, television commercials, and features since the mid-1960s. In association with Hammer, Robertson provided notable scores for low-budget thrillers such as HOUSE IN NIGHTMARE PARK (1973) and children’s films such as DANNY THE DRAGON (1966) and THE JOHNSONTOWN MONSTER (1971) and Tyburn Film’s premiere thrillers, THE GHOUL and LEGEND OF THE WEREWOLF (both 1975). By 1980, Robertson had taken back his real name, acting as both producer and composer for the 1981 fantasy adventure film HAWK THE SLAYER. Robertson began working for Hammer in 1968, composing the theme and episode music for their short-lived television series JOURNEY TO THE UNKNOWN (1968)… Joan Harrison [producer] loved this theme and asked Robertson to score the whole series. “but you only had a week to do each one, and you would have had to have started halfway through one to do the next one… Philip asked how long it took me to compose, and I said I was pretty fast. So he was amazed at how fast I got the scores to him. And eventually, Philip liked what I wrote… In the film world, you’re trained to write so fast that you don’t have time for the nuances of musicality so my writing was much more sonorous and large… Harry Robertson’s music for these lush and sensual horror films remain a highlight of Hammer’s later film production, underlining with melodic romanticism their dynamic qualities of horror and sexuality, and his music is among the prettiest to appear on horror film soundtracks of the 1970s.”‘ Music from the House of Hammer: Music in the Hammer Horror Films, 1950-1980 By Randall D. Larson Note: Robinson was arranger on over 150 singles [45 discs] during his recording career which began in 1957 whilst music director for Six-Five Special.
Notes regarding Fanne Baxter – piano teacher:
MISS FANNIE BAXTER.Northern Scot of 28/09/1946 Deaths: Fannie Elliott older daughter of Thomas Baxter – Draper, died27/09/1946. Funeral service The South Church.Northern Scot of 5th October 1946, page 7, South Church Tribute Notice:-Referring to Miss Baxter, Mr Macleod said:-“Miss Baxter was one of the best known personalities in this town and congregation. As a musicianand as a teacher of music she was held in the highest esteem, and by her personal qualities sheendeared herself to a wide circle of acquaintances. Miss Baxter became organist of the South Churchin 1919, and for 19 years she performed her duties with the highest skill and with tireless devotion,winning the respect and affection of successive generations who served in the choir and junior choir.She also served as a teacher in the Mission Hall Sunday School. It was characteristic of herunselfishness and loyalty that, in spite of the heavy calls made on her time and energy, she took uptemporary duty again as organist for some years during the war, and also acted as teacher in thecongregational day School. Miss Baxter was a practical Christian. She went the second mile. She didmore than her share. It was a real joy for her to be of service. It is an axiom in church circles that ifyou want a job to be done your best response will come from those who already do more than enough.Miss Baxter was a witness to the truth of that axiom. But her practical Christianity, her unselfishservice, and cheerful devotion, undoubtedly sprang from her deep faith and the quality of her spirituallife. She too, found grace in a humble cultivation of the means of grace.”Note: Henry Robertson was taught by Fannie Baxter.
Harry Robinson credits: http://www.imdb.com/name/nm0731862/ all titles: http://www.45cat.com/45_search.php?sq=harry+robinson&sm=go
For more about Harry: https://scotbeat.wordpress.com/2015/10/13/hoots-mon-harry-robinson/ and other SCOTBEAT articles: https://scotbeat.wordpress.com/2014/12/02/shindig/ https://scotbeat.wordpress.com/2014/04/29/early-music-television-uk/